We were fresh out of an art criticism program, but somehow we felt a
little stale. Not the fuzzy-mould stale, but the kind where you can
turn it into croutons or french toast. This resulted in misplaced
efforts, like pitching art history essays to contemporary art
magazines. I guess we shouldn’t have been surprised when the editors replied,
“our publication prefers to focus on things a little more current”.
But did that stop us? No. If anything it spurred us on. We
found ourselves sneaking into university libraries (with our now
expired student cards) and going to museums, while our peers questioned
“aren’t museums no longer relevant?”
Amy and Sagan = Dead Art Now